Jiang_Xian_Ming Li_Shu Liang_Ying_Ying chenghaifang chenqiuping chenwugai chenyanmei chenzhiqiang fenghaimin gongyidong hanjin hanpeifu heqianyi huangtuyou huangwenqing jiangdongni laixianhua leewenwen liangaimin linxuefen longyaojian lumeijiao luosong luoying luozhixiao maozhenghua qiuyihui ruandayuan wulinwen wuqiwen xianjinyun xiechongyuan xierongli youweikang yuebing zhanqingxiang zhongweihong zhouchenchao
Jiang Xian Ming Li Shu Liang Ying Ying Cheng Hai Fang Chen Qiu Ping Chen Wu Gai Chen Yan Mei Chen Zhi Qiang Feng Hai Min Gong Yi Dong. Han Jin Han Pei Fu He Qian Yi Huang Tu You Huang Wen Qing Jiang Dong Ni Lai Xian Hua Lee Wen Wen Lian Gai Min Lin Xue Fen Long Yao Jian Lu Mei Jiao Luo Song Luo Ying Luo Zhi Xiao Mao Zheng Hua. Qiu Yi Hui Ruanda Yuan. Wu Lin Wen Wu Qi Wen Xian Jin Yun Xie Chong Yuan Xie Rong Li You Wei Kang Yue Bing Zhan Qing Xiang Zhong Wei Hong Zhou Chen Chao
aBlanchette1 aBlanchette2 aCurry1 aCurry2 aCurry3 bClapper bOtunba jBaylog1 jBaylog2 jBaylog3 jKeenan2 jKennan jMiles kClosson kClosson2 kGates kJohnsen kJohnsen2 rDube
Amanda Blanchette Amanda Blanchette Ashlee Curry Ashlee Curry Ashlee Curry Brandy Clapper Ben Otunba Jennifer Baylog ennifer Baylog ennifer Baylog Jodie Keenan Jodie Kennan Joe Miles Kara Closson Kara Closson Kara Gates Kris Johnsen Kris Johnsen Ryan Dube
Zhaoqing University (Zhaoqing, China)
Maine College of Art (Portland, Maine U.S.A.)

SELF

This project is a collaboration between students in China and America under the instruction of Tom R. Chambers at Zhaoqing University (Zhaoqing, Guangdong Province, China) and George LaRou at the Maine College of Art (Portland, Maine, U.S.A.).

The self-portrait gives the artist the greatest freedom from external constraints. Because the artist is his or her own cheapest and most available model, the self-portrait is the finest opportunity to make the most flattering statement or the most penetrating revelation of character of which he or she is capable [The Columbia Electronic Encyclopedia, 6th ed. Copyright 2005, Columbia University Press]. The artist tries not only to express his inner drive through aesthetic presentation, but also to examine that drive through portrayal of the most intimate subject, the self.

Analysis:

"Even though the assignment parameters have created an inherent difference between the Chinese and American self-portraits, there are other differences ... albeit, subtle ... that are seen/felt between the two. Perhaps there's a bit more sophistication in this subtle form for the American self-portraits with an inclination towards the representation of the photographic image rather than its blatant manipulation and added elements as seen within the Chinese self-portraits. Again, this blatant manipulation and added elements are most likely due to the assignment parameter of requiring the students to utilize layers, masks and filters for graphics skills improvement.

These added elements ... more detailing or 'storyboarding' [embellishment] ... within the Chinese self-portraits create busier images for the eye. The American self-portraits are relatively 'plain/simple' [unembellished] in their syle. Elevated ideals or conduct [emotionalism] run through the Chinese self-portraits ... a high mindedness and passion that are prevalent within Chinese youth who have the opportunity to attend college for a better future. The American self-portraits touch on the intellect and as it relates to the assignment parameter of working in a variety of approaches which were influenced by artists they found compelling [according to the instructor, George LaRou]."

Tom R. Chambers
Visiting Lecturer, Digital/New Media Art
Fine Arts Department
Zhaoqing University
Zhaoqing, China